Alessandro Sorci

Alessandro Sorci

PHOTOGRAPHER | FILM DIRECTOR

BIOGRAPHY

Milanese photographer Alessandro Sorci explores the dialogue between object, matter, and light. Through a refined and architectural approach, his images elevate everyday objects—eyewear, accessories, timepieces—into sculptural forms. Each frame reveals a balance between precision and poetry, between mechanical structure and organic movement.

After studying photography at the University of the Arts in London, Alessandro developed a singular language where minimalism meets experimentation. Working across still life and motion, he translates materiality into rhythm, geometry, and reflection. His visual world draws from design and industry, yet always carries a human sensibility: light becomes emotion, metal becomes fluid, glass becomes skin.

Dividing his time between Paris and Milan, Alessandro also teaches at IED Milano, where he leads the “Creative Studio” course, mentoring the next generation of photographers. His work redefines product imagery as a form of contemporary art - one that captures beauty not through perfection, but through perception.

Collaborations include Oakley, Akoni, Slam Jam, Pagani, Pirelli World, Bucherer, Urwerk, Numéro Netherlands, VO+ Jewelry, Wallpaper, GQ Italia, ICON Design, Elle Italia, D La Repubblica…

Recent Stories

ALESSANDRO SORCI NEW FILM FOR RAYBAN

Renowned Milanese photographer Alessandro Sorci brings his signature still-life mastery to Oakley's latest campaign, delivering a striking visual narrative that challenges conventional eyewear photography. The campaign's hero image presents a powerful study in duality - a single model split between two distinct personalities, each sporting different Oakley styles. Renowned Milanese photographer Alessandro Sorci brings his signature still-life mastery to Oakley's latest campaign, delivering a striking visual narrative that challenges conventional eyewear photography. The campaign's hero image presents a powerful study in duality - a single model split between two distinct personalities, each sporting different Oakley styles.

architecture

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Symphonie – Quand L’EAU À LA BOUCHE compose en images

Symphonie, dernier film signé du duo L’EAU À LA BOUCHE, est une partition visuelle où chaque plan respire une tension douce, presque musicale. Le film déroule une atmosphère à la fois onirique et intime, invitant le spectateur à s’abandonner dans l’émotion du regard. Une alchimie d’artistes L’EAU À LA BOUCHE studio voit le jour fin 2022, fruit de la rencontre entre Lucian Bor, photographe, et Erwan Lozachmeur, monteur et vidéaste. En conjuguant leurs univers respectifs, ils allient finesse visuelle et justesse narrative, une osmose qui traduit plus de vingt ans d’expérience au service de marques et magazines prestigieux : British Vogue, Vogue Italia, Swarovski, Lancel, Air France, Aubade, L’Oréal, Dior, Bompard. Ce qui frappe dans Symphonie, c’est cette simplicité élégante : un motif, un geste, une lumière chuchotée, tout devient expression. Le montage, précis, ne s’étire jamais là où la retenue suffit. Le cinéma du duo ne crie pas, il suggère, susurre, interroge.

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