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Women are central to Karina Twiss’s practice. Her portraits balance sensitivity and confidence, often capturing quiet emotion and presence. Influenced by her Norwegian upbringing and connection to nature, her work reflects a sense of space and calm. Whether in a composed pose or a fleeting gesture, her images convey subtle emotion with clarity.
When photographing individuals outside the framework of commissioned work, Aurélien favors raw sincerity. The framing tightens around a face, a gesture, an attitude. Light emphasizes details — skin, gazes, silences. His portraits do not seek effect but emotion, the kind that arises from encounter. The human being lies at the heart of his work, not idealized but shown with sensitivity. Each image becomes the witness of an exchange, where photography asserts itself as a space of trust. The frame, far from being a constraint, acts as a setting that welcomes and enhances the presence of the other.
Whether it’s a building, a landscape, or a face, Aurélien Chauvaud’s work is unified by a common thread: the frame as a tool for connection. It is never a mere formal construction, but a way of giving space and presence to what is photographed. In his images, the human element is always present — directly or implicitly — engaging in dialogue with the surrounding environment. This coherence runs through all his work: a pursuit of accuracy, clarity, and sensitivity. His photography is both precise and inhabited, where the frame becomes the invisible link between subjects and those who observe them.
Christophe Jager’s work stands out for his particular attention to textures, which become the true playground of his gaze. Rather than remaining on the surface of things, he seeks to penetrate the density of materials, revealing their roughness and vibrations. Each photograph seems to extract a hidden truth from matter, as if the camera were capturing an invisible language. His compositions immerse the viewer in a universe where light sculpts volumes and photography takes on an almost physical dimension. This intimate relationship with textures creates images that engage the senses far beyond sight.
In Christophe Jager’s work, flowers appear as fragments of nature captured in a suspended moment. Their fragility combines with a formal strength that transforms them into visual icons. Photographed with almost surgical precision, they reveal details often imperceptible to the naked eye — veins, transparencies, micro-reliefs. Far from being a simple aesthetic exercise, this approach expresses a desire to give nature a sculptural and timeless dimension. The flowers thus become entities in their own right, oscillating between poetic fragility and silent monumentality.
In his product photography, Christophe Jager develops a visual language based on simplicity and precision. His carefully controlled compositions reject any excess to better highlight the object. Each pack thus becomes an architecture of lines, angles, and volumes, illuminated by a perfectly measured light that emphasizes its uniqueness. This minimalism is not an absence but a strength: it focuses attention and gives the object an almost symbolic aura. The viewer is invited to contemplate the intrinsic beauty of a purified form, free from any narrative artifice.
In Christophe Jager’s universe, gold is treated as a living, multifaceted material. His photographs explore its shifting reflections, capable of moving from dazzling intensity to enveloping softness. Gold is never static — it circulates, diffracts, and comes alive in contact with light. This approach reflects a fascination with the color’s ability to symbolize both richness and energy, the sacred and the sensual. By unfolding it as a plastic material, Christophe Jager offers a contemporary reinterpretation of gold, where radiance becomes an immersive visual experience.
Less radiant but equally expressive, silver holds an essential place in Christophe Jager’s photographic research. A metal of reflections and shimmering light, it allows him to work with subtle contrasts and almost liquid nuances. Silver acts as a surface of projection — sometimes a mirror, sometimes a screen — capturing and reflecting light in a play of ambiguities. This treatment turns it into an element that is both modern and timeless, where the supposed coldness of metal is infused with poetry. In his images, silver becomes a fluid and mysterious material, carrying a silent yet powerful visual intensity.
Contacted two months before the group exhibition “Summer Snake”, Cloé Vriet created two artworks titled “ÉCHROCHÉ.ES” (green), both sold on the evening of the opening to a private collector. BIO — ARTY Cloé Vriet is a French artist based in Paris. She developed an early fascination with paper, which she approaches as a sensitive material — one capable of capturing both gesture and silence. A graduate in object design, she spent a decade shaping the visual worlds of major luxury houses through scenography and set design. Mastering the material, she gradually turned toward a more intimate practice, where the artwork becomes a space for dialogue between gesture, surface, and resonance. Through paper, ink, and volume, Cloé explores a form of organic abstraction imbued with the breath of life. Her compositions are made up of hundreds of delicate incisions, which she calls “écorchures” — discreet marks, fine wounds through which light seeps in and shapes the form. Her works, animated by the interplay of shadow and light, evoke movement: a supple, undulating flow inspired by the body, its folds, its silences. Each piece emerges from a fragile balance between the spontaneity of gesture and the shaping force of time. Through this visual language, Cloé Vriet explores notions of vulnerability, resilience, and metamorphosis. She will exhibit her work for the first time in New York in 2025 as part of a collective exhibition.
In his commissioned portraits, Aurélien puts his sense of framing at the service of the person. He constructs an image that inspires trust and credibility, without ever erasing the individuality of the person behind the lens. The light, always carefully controlled, creates an atmosphere where dignity meets genuine closeness. These images reveal a deep attention to the human being — to their gaze, posture, and to what they choose to reveal or hold back. The portrait thus becomes a subtle balance between the status of a role and the fragility of a person.
In Lucian Bor’s work, beauty is never frozen or polished. It embraces its roughness, shadows, and intensities. His images do not seek perfection but a sensitive truth, where every detail — a marked eyelid, a grain of skin, a raw light — becomes a visual strength.
No unnecessary decor, no excess. Lucian Bor refines, narrows, concentrates. His images stand out through their economy of means: a simple background, controlled light, and a confident subject. This visual radicality gives full power to the essential.
His compositions always navigate between two poles: rigor and emotion, structure and accident, order and disorder. This tension fuels his aesthetic, creating images that both intrigue and captivate — because they exist in a state of unstable balance, precisely where beauty comes alive.
For the new Rouvenat high jewelry campaign, Lucian Bor brings his singular visual language to the Maison. True to his practice of projection, he sculpts the jewels with light and shadow, creating a graphic interplay where matter becomes almost immaterial. His gaze, both technical and poetic, reveals the Rouvenat pieces from a new perspective — between abstraction and precision, modernity and heritage. Designer: Sandrine Delaage Model: @lonneketk @nextparis Casting: @oliver_ress_ @creartvt_casting Stylist: @margauxdague Hair: Javier Palacio @capsuleagence_hmc Make-up: @lesantkathy @callmyagent.fr Manicure: @delphineaissi Set design: @chloeguerboiss @quadriga_management Set design assistant: Lola Production: @juliegonssard #zoelimeul @2001.artprod Studio: @studiojacquesparis Technical production: @sheriff.projects Creative direction: @ericbeckman66 @thomasdelattrekogan
Symphonie, the latest film by the duo L’EAU À LA BOUCHE, unfolds like a visual score where each frame breathes a soft, almost musical tension. The film develops an atmosphere that is both dreamlike and intimate, inviting the viewer to surrender to the emotion of the gaze. An alchemy of artists L’EAU À LA BOUCHE Studio was founded at the end of 2022, born from the encounter between Lucian Bor, photographer, and Erwan Lozachmeur, editor and filmmaker. By combining their respective worlds, they merge visual finesse with narrative precision — an alchemy that reflects more than twenty years of experience serving prestigious brands and magazines such as British Vogue, Vogue Italia, Swarovski, Lancel, Air France, Aubade, L’Oréal, Dior, and Bompard. What stands out in Symphonie is its elegant simplicity: a motif, a gesture, a whispered light — everything becomes expression. The editing is precise, never extending beyond what restraint can convey. The duo’s cinema does not shout; it suggests, whispers, and questions.
Chantelle X "Test Bench" Oscar Calleja transforms Chantelle X lingerie into subjects of visual experimentation in his "Test Bench" series for Common Language Magazine. The concept: an imaginary laboratory where pieces undergo analysis - airbrush gun, digital microscope, surveillance cameras, measuring cables. Metallic sets, graphic laces and structured bodysuits become specimens under observation. Calleja builds a universe between technical workshop and art gallery - lingerie suspended in hermetic bags, lit from below, examined from every angle. An approach that celebrates textile innovation and the engineering behind each Chantelle X creation. Art direction : Simon Rivero Set design: Vuelco Studio + Miriam Velo Studio: Espacio Nueva Carolina Assist_ David Martinez
"Lockers" Oscar Calleja explores the intimacy of the modern locker room in his "Lockers" series for El País Magazine. Lockers become contemporary still lifes where the essentials of a life in motion accumulate. Each composition tells a personal story. Between luxury and sport, vintage and current trends, objects reveal the multiple facets of their owners. Calleja transforms these temporary storage spaces into faceless portraits - python and leather, pastels and neons, minimalism and maximalism cohabit in these urban microcosms. Set design: Angela Esteban Librero Assist: David Martinez
“Come Play With Us Oscar Calleja captures the playful spirit of Furla's "Come Play With Us" campaign. The signature clasp pouches form a kaleidoscope of colors - from emerald green to burgundy via metallic pink - like an invitation to chromatic play. The photographer transforms each bag into a visual playground. Hands with multicolored nails, liquid leathers on monochrome backgrounds, textures that dialogue with light. The approach is joyful and sophisticated, celebrating the Italian accessory as an object of daily pleasure. Production by Craetive Paris, Louna Sifferlin
His landscapes do not seek the spectacular, but the accuracy of a moment. The tight framing, chosen light, and details of vegetation or horizon become fragments of a story. Aurélien always includes a human dimension — sometimes discreet, sometimes implicit — reminding us that these spaces are lived in, crossed, inhabited. Each photograph thus becomes a place of silence and breath, where nature is observed with respect. Through precise and measured framing, he transforms contemplation into a sensory experience, as if the image itself became a space to wander through.
In his approach to architecture and design, Aurélien Chauvaud places the frame at the heart of his visual language. The image does not merely document a space — it reveals it. Lines, vanishing points, and volumes are organized to offer a clear and sensitive reading. Light becomes matter, emphasizing textures and proportions while suggesting how humans inhabit and transform these places. Through this formal precision, he offers a living vision of architecture — a discipline that engages as much with geometry as with human experience.
A deep red, an affirmed intensity, an enduring elegance. This campaign showcases the heritage and iconic strength of Hennessy V.S.O.P through a visual approach that plays on material density and the power of contrasts. A work that conveys the warmth, nobility, and modernity of the Maison. Director: Alizée Patton Art Direction: Yara Kazan Production: Crætive Paris & ALD Consulting
A solar and sculptural vision of masculine elegance. This campaign highlights the purity of lines and the iconic strength of Hugo Boss bottles, balancing minimalism with luminous intensity. The object becomes a symbol of timeless style, combining freshness, modernity, and power.
Between reflections and metamorphoses, this personal series explores how light and mirrored surfaces transform the object into a new visual experience. Mirror play integrates organic elements - flowers, stems, living matter — that reflect, deform into anamorphoses, and extend across the packaging. Volumes thus become magical surfaces, where the object engages in dialogue with its environment and draws from its natural resonances. A work that questions beauty in its sculptural and sensory dimension. Art Direction: Pauli Walsh
A fragrance, a sensation, a story of light and fluidity. This personal project captures the Mediterranean freshness and vibrant radiance of Neroli Portofino through an artistic approach where image becomes a sensory experience. Between visual intensity, the sensual energy of aquatic movements, and poetry, the film stages a dialogue between nature and sophistication, substance and emotion. Photographer & Director: Alizée Patton Art Direction: Caroline Pauleau DOP & SFX: Lema Isback
Milanese photographer Alessandro Sorci explores the dialogue between object, matter, and light. Through a refined and architectural approach, his images elevate everyday objects—eyewear, accessories, timepieces—into sculptural forms. Each frame reveals a balance between precision and poetry, between mechanical structure and organic movement. After studying photography at the University of the Arts in London, Alessandro developed a singular language where minimalism meets experimentation. Working across still life and motion, he translates materiality into rhythm, geometry, and reflection. His visual world draws from design and industry, yet always carries a human sensibility: light becomes emotion, metal becomes fluid, glass becomes skin. Dividing his time between Paris and Milan, Alessandro also teaches at IED Milano, where he leads the “Creative Studio” course, mentoring the next generation of photographers. His work redefines product imagery as a form of contemporary art - one that captures beauty not through perfection, but through perception. Collaborations include Oakley, Akoni, Slam Jam, Pagani, Pirelli World, Bucherer, Urwerk, Numéro Netherlands, VO+ Jewelry, Wallpaper, GQ Italia, ICON Design, Elle Italia, D La Repubblica…
Alessandro Sorci explores accessories as sculpture for Numéro Netherlands. Sandals, heels, sunglasses and bags stand out against gradient backgrounds, transformed into contemporary art objects through his precise eye. Each piece is isolated, suspended between shadow and light. An approach that elevates accessories to the status of artwork, between classic still life and futuristic vision. Photography: Alessandro Sorci for Numéro Netherlands Style Gabriele Berretti @gabriele_berretti Post Studio Wolfram @studiowolfram
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Alessandro Sorci signs the cover and editorial for the latest issue of VO+ Jewelry Magazine. The photographer explores contemporary jewelry through minimalist settings where objects become sculptures. A refined vision of modern jewelry that favors subtlety over ostentation. Photography: Alessandro Sorci for VO+ Jewelry Magazine Set design: Valentina Micól Carnevali Post-production: Milk Post Production
For the fourth consecutive season, Alessandro Sorci shoots the AKONI campaign. The photographer captures the essence of the brand through a refined and sophisticated visual approach, where eyewear becomes true design objects. Between deep shadows and metallic reflections, the frames reveal themselves in their finest details - sculpted hinges, architectural lines, gradient lenses. Alessandro transforms each model into a study of light and material, highlighting the craftsmanship that characterizes AKONI. A collaboration that endures and asserts itself, reflecting a shared vision between the photographer and the brand. Photography: Alessandro Sorci for AKONI Post: Milk Postproduction @milkpostproduction
Alessandro Sorci reveals the mechanical complexity of the Urwerk UR-150 Scorpion for the latest issue of BIC Collection, in collaboration with Bucherer. The photographer explores watches as engineering artworks, capturing visible movements, textured dials and sculpted cases in dramatic light. Each image celebrates Swiss haute horlogerie - from visible complications to artisanal finishes. Gradient backgrounds and geometric structures create a contemporary setting for these exceptional pieces, transforming watch photography into artistic exploration. Photography: Alessandro Sorci for BIC Collection x Bucherer Creative Direction: Ric Ferrol Design: Poised Studio Post-production: Milk Post Production
Alessandro Sorci captures the essence of the Pagani Utopia in this series created for Pirelli World Magazine. The photographer elevates Horacio Pagani's latest creation through meticulous attention to detail - from the sculpted fuel cap to the golden wheels, through to the Mercedes-AMG signed V12 engine. The matte silver bodywork becomes a canvas reflecting Pagani's characteristic organic curves. Each element tells the story of the Italian brand's artisanal obsession: the four central exhaust outlets, circular taillights, fluid lines inspired by aeronautics. This collaboration between Pagani and Pirelli, immortalized by Alessandro, celebrates Italian excellence where engineering and art become one. Photography: Alessandro Sorci for Pirelli World Magazine Art Direction: Elena Papageorghiou @elenapapa_s Post: RGBERLIN @rgberlin Light: Riccardo Ruffolo, Filippo Telaro
Alessandro Sorci signs the campaign for the new Oakley Flex Scape, transforming sports eyewear into futuristic fashion objects. "Half goggles, half glasses. Full Oakley" speaks to a generation that no longer separates performance and lifestyle. Against a deep blue backdrop, models wear the Flex Scape with an attitude that transcends sport. Photography: Alessandro Sorci for Oakley Art Direction: Tommaso Garner Post Production: Studio Wolfram @studiowolfram, Production: True Color Films Talent: @easytigerz @yelibetilahun
Alessandro Sorci delivers a personal and contemporary interpretation of the iconic Chanel N°5 L'Eau bottle. Through these two shots, the photographer plays with liquid textures and metallic reflections, creating a dialogue between fluidity and structure. Chrome spheres in weightlessness, organic curves, monochrome treatment - Alessandro explores creative possibilities around a cult object, without seeking to imitate advertising codes but rather proposing his own artistic vision. Photography: Alessandro Sorci Postprod: Command Services @cmnd.services Set Design: Poised Studio @poised.studio
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Symphonie, dernier film signé du duo L’EAU À LA BOUCHE, est une partition visuelle où chaque plan respire une tension douce, presque musicale. Le film déroule une atmosphère à la fois onirique et intime, invitant le spectateur à s’abandonner dans l’émotion du regard. Une alchimie d’artistes L’EAU À LA BOUCHE studio voit le jour fin 2022, fruit de la rencontre entre Lucian Bor, photographe, et Erwan Lozachmeur, monteur et vidéaste. En conjuguant leurs univers respectifs, ils allient finesse visuelle et justesse narrative, une osmose qui traduit plus de vingt ans d’expérience au service de marques et magazines prestigieux : British Vogue, Vogue Italia, Swarovski, Lancel, Air France, Aubade, L’Oréal, Dior, Bompard. Ce qui frappe dans Symphonie, c’est cette simplicité élégante : un motif, un geste, une lumière chuchotée, tout devient expression. Le montage, précis, ne s’étire jamais là où la retenue suffit. Le cinéma du duo ne crie pas, il suggère, susurre, interroge.
Renowned Milanese photographer Alessandro Sorci brings his signature still-life mastery to Oakley's latest campaign, delivering a striking visual narrative that challenges conventional eyewear photography. The campaign's hero image presents a powerful study in duality - a single model split between two distinct personalities, each sporting different Oakley styles. Renowned Milanese photographer Alessandro Sorci brings his signature still-life mastery to Oakley's latest campaign, delivering a striking visual narrative that challenges conventional eyewear photography. The campaign's hero image presents a powerful study in duality - a single model split between two distinct personalities, each sporting different Oakley styles.
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