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Dark Matter: Óscar Calleja Shoots Fragrance for Massimo Dutti • For Massimo Dutti's fragrance campaign, Óscar Calleja works almost entirely in shadow. The bottles emerge from darkness slowly, their gradients moving from deep black to warm amber or cool grey. No props, no staging. Just light, glass and restraint. It is photography that trusts the object completely. And the object, here, is more than worthy of that trust.
Alessandro Sorci crafts the visual identity of Darphin's new Stimulskin Plus collection. A cream and a serum, housed in refined refillable containers designed as premium objects in their own right. The series elevates skincare packaging into the realm of high-end craftsmanship. Sorci's lens treats each écrin as a sculptural statement, where sustainable design and luxury are not opposites but a single, considered gesture.
Henrik Bülow shoots the Villao campaign in stripped-back black and white, the clothes observed with the same quiet attention he brings to portraiture. Bodies at rest or in movement, each frame unhurried, each look allowed to breathe. Clean, direct and effortlessly elegant.
For Chanel Sublimage's makeup line, photographer Simone Cavadini and SFX artist Pauline Choffé reduce the world to spheres and darkness. Amber, sand, ivory. The shades of the foundation range become planetary forms, luminous against black. The bottles emerge from this abstract landscape with the authority of objects that need no introduction. The result is both product photography and something closer to painting.
Simon Escourbiac and Pauline Choffe bring two fragrances from L'Artisan Parfumeur to life through set design conceived as an extension of each bottle's own world. For Tenebrae 26, a geode of layered agate mirrors the label's mineral waves, the flacon set within its own landscape. For Abyssae 33, scorched earth and oxidised surfaces evoke the depths the name suggests, raw and ancient. Each fragrance dictates its own visual territory. The set is not a backdrop but a continuation.
Fernando Gomez shoots the MAAG fragrance collection as a series of botanical still lifes, each bottle paired with its raw ingredients: orchids, cherries, vanilla, moss, citrus, herbs. The white background strips everything back, letting colour and matter speak directly. Transparent, precise and quietly poetic.
Fernando Gomez shoots the Calvin Klein Euphoria collection across a full spectrum of saturated colour. Purple, gold, hot pink, each elixir given its own world, its own light, its own mood. Orchids, vanilla, liquid surfaces, the ingredients dissolve into pure sensation. Photography and film working together, colour as emotion, fragrance as atmosphere.
For Ark Journal, Henrik Bülow works entirely in black and white. Bodies, volumes, shadow and grain. The human form observed in fragments, architecture and sculpture drawn into the frame, each image distilled to its essential tension. A series that reads like a visual essay on form itself.
Fernando Gomez shoots the Pantene Abundance campaign with warmth and confidence. Hair as the hero, voluminous, alive, catching the light in every frame. The women own the space they are in. Direct, luminous and unapologetically bold.
Quiet Objects: Óscar Calleja Shoots Jewellery for Massimo Dutti • There is something almost archaeological about Óscar Calleja's jewellery work for Massimo Dutti. Each piece is treated less like an accessory and more like a found object, worthy of study. The palette is deliberately cool and restrained, moving between steel blue, warm sand and deep black. Architectural props, curved metal sheets, smooth spheres, folded paper, give the pieces a sculptural context without ever competing with them. The compositions feel considered rather than constructed. Calleja's light here is softer than in his editorial work, but no less precise. It wraps around pendants and chains with a quiet intensity, letting texture and form do the talking. The result is a campaign that feels closer to a gallery than a catalogue. Confident, understated, and entirely in step with what Massimo Dutti does best.
The Shape of Things: Óscar Calleja Shoots Footwear for Massimo Dutti • For his footwear campaign for Massimo Dutti, Óscar Calleja applies the same exacting eye he brings to any object worth photographing. Backgrounds shift from warm terracotta to electric blue, from crumpled linen to glossy black. Props are chosen with the precision of a set designer. Nothing is decorative for its own sake. What holds it together is Calleja's understanding that a well-made object already has a personality. His job is simply to find the right context to reveal it.
Carried Objects: Óscar Calleja Shoots Bags for Massimo Dutti • For Massimo Dutti's bag campaign, Óscar Calleja treats leather like architecture. Each piece is positioned, lit and framed as if its structure alone were the subject. The approach varies quietly from shot to shot. Some bags stand alone against raw linen or deep black. Others share the frame with a glass, a geometric form, a patch of colour. Enough to suggest a world without describing one. The result is a body of work that makes you look at handles, seams and proportions the way you rarely do in a shop. Attentive, precise and entirely without noise.
Christophe Jager shoots the Azzaro Wanted fragrance campaign in a world of raw materials and amber light. Wood, resin, dark textures set against the iconic gold bottle, each image steeped in warmth and depth. A study in contrast, where the brutal and the refined find common ground.
For its latest fragrance campaign, Spanish house Adolfo Dominguez enlisted photographer Óscar Calleja to do something quietly radical: let nature and craft share equal billing. Raw amber, bamboo, driftwood, crushed citrus. Each element is treated with the reverence of a still life, sculpted by soft light against bare backgrounds. Throughout, the bottles hold their own: clean geometric silhouettes in tinted glass, each crowned with a raw wooden cap. The material honesty of wood meeting glass speaks to the brand's longstanding philosophy, neither ostentatious nor austere, but quietly confident. In an era of hyperdigital beauty advertising, this campaign chooses a different path, one of texture, slowness, and sensory honesty. The result is a series of images that make you want to smell something.
For this Vogue España jewellery editorial, photographer Óscar Calleja does what he does best: strip everything back until only the essential remains. Against a palette of burning red and absolute black, each piece finds its own stage. Castanets, flamenco combs, vintage books, a red carnation - the props are unmistakably Spanish, yet never folkloric. They are cultural shorthand, handled with enough restraint to feel fresh. What holds it all together is Calleja's consistent refusal to over-explain. The jewellery is extraordinary. The images trust that entirely.
Molten gold. Pearl-studded compacts. Textures that read like precious metal. Simon Escourbiac shoots both the campaign photography and the product film for the new Parure Gold Skin Mesh Cushion. The brief is opulence rendered with precision: the cushion's breathable mesh technology revealed in extreme close-up, the 24K gold radiance of the formula treated as raw material, the firming white peony ingredient elevated to its own visual chapter. Pauline Choffe brings her SFX work to the product sequences, building the tactile world around each object — textures that breathe, surfaces that glow. The result moves between still life and cinema, the Guerlain house codes intact throughout.
Sweet Objects: Óscar Calleja Shoots Regala • For Regala's campaign, Óscar Calleja introduces an unexpected ingredient: chocolate. Squares of it, bars of it, sweets arranged in grids. Placed beside bags, shoes and jewellery, the effect is disarming without being cute. The palette is warm and edible throughout, deep browns, forest greens, burnt orange. Each composition plays on texture and resemblance, a quilted bag beside a chocolate bar, a jewelled piece resting on a grid of sugar-dusted sweets. The visual rhymes are precise and quietly funny. It is gift-giving reframed as still life. Calleja makes desire feel almost tangible.
Alessandro Sorci shoots "Gleam Team" for Wallpaper*, a interiors story built around the tension between old and new, ornate and minimal. Against warm walnut panelling, gilded antiques, chrome furniture and mirror-polished objects coexist with the same quiet confidence. A Technogym machine draped in Versace towels, a Molteni sideboard topped with bronze animal sculptures, a gold dolphin table bearing extinguished candles. Each image is a room, each room a proposition. Creative direction by Nick Vinson.
Fernando Gomez shoots the Kenzo Le Rouge Flower campaign entirely in red. A single poppy against scarlet, a woman absorbed into the light, the bottle glowing like an ember. Nothing exists outside this colour. One shade, total immersion.
Fernando Gomez shoots the Dolce & Gabbana Beauty digital content in a world of blush pink and fresh botanicals. Oranges, white blossom, green leaves set against powder-soft backgrounds, the products placed with the ease of a morning ritual. Light, Italian, effortlessly sun-kissed.
Dark, slow, atmospheric. Henrik Bülow directs for Costume a film that moves between night nature and human presence, bodies emerging from darkness, movement caught in near-silence. The fashion recedes into something more elemental. A film that feels closer to a ritual than a campaign.
Prize Catch: Óscar Calleja Shoots Louis Vuitton for Woman Magazine • A claw machine, hundreds of plush toys, and a Louis Vuitton bag. Óscar Calleja's editorial for Woman Magazine is one of his most playful to date, and one of his most precise. The tension between luxury and fairground is the whole point. The bags, unmistakably Vuitton, hold their own amid the chaos of stuffed pandas and cartoon cats. Desired objects in an ocean of desired objects. The joke is sharp, and the photography is sharper.
Alessandro Sorci photographs the rare archive collection of Milanese silversmith San Lorenzo, exclusively available through Abask. Thirty-seven pieces, produced between 1971 and 1992, designed by the likes of Afra and Tobia Scarpa, Lella and Massimo Vignelli, Franco Albini and Franca Helg. Objects that sit at the exact intersection of modernism and craft. Shot against a deep crimson backdrop, each piece is given the space and attention it deserves. Photography: Alessandro Sorci Creative Direction: Nick Vinson San Lorenzo x Abask
The Game: Óscar Calleja Shoots Jewellery for Suárez • For Suárez, Óscar Calleja chose chess as his visual language. It is an inspired decision. Both the game and fine jewellery share the same obsession with craft, strategy and the weight of a well-made object. Kings, knights and pawns become display stands, foils, companions. The pieces interact with bracelets, chains and rings as if mid-move, caught in a moment of quiet tension. The palette shifts between deep burgundy, black and warm gold, serious without being cold. Two images break the still life format, showing a hand at the board, jewels on the wrist. A reminder that these objects are made to be worn, not just admired.
Christophe Jager brings his signature still life mastery to Lancôme's most prestigious skincare line. Gold, black and depth, the images capture the Absolue L'Extrait collection with the quiet opulence the range commands. A campaign that lets the objects speak, and the light do the rest.
Fernando Gomez shoots the Deliria fragrance campaign in two distinct registers. Still lifes saturated with fire, flame, honey, smoke and citrus, each ingredient pushed to its most visceral state. Then the body, men and women, skin drenched in colour, red, violet, gold, each shade recalling the raw materials of the scent itself. Sensual, intense and deliberately excessive.
Fernando Gomez shoots the MAC To The Future collection in a world of iridescent pastels and soft gradients, where lipsticks, palettes and mascaras float in a dreamy, otherworldly light. Mint, lilac, pink, chrome. The products feel weightless, almost alien. Beauty as a vision of what comes next.
Where the white series brought ingredients into the light, this one pulls them under. SFX artist Pauline Choffé and photographer duo Antinomia work here in near-total darkness, letting smoke, water, minerals and bark emerge from black as if surfacing from memory. The sensory logic is the same, but the register has shifted entirely. Each note is still visible, the way things are visible by moonlight. Recognisable, but altered. Perfume as the unconscious. Margiela as only Margiela can.
Henrik Bülow directs for KXNGS, the London-based cycling supplement brand, a film that places the rider at the centre of something elemental. Indoor effort, outdoor forces, a body pushing through rain and resistance as if the elements had followed him inside. Performance as atmosphere, endurance as image.
A personal series where Henrik Bülow moves freely between worlds. Figures against open skies, bodies in landscape, light refracted into pure abstraction. Black and white gives way to colour, the surreal sits beside the intimate, scale shifts without warning. Less a series than a state of mind.
Clear Vision: Óscar Calleja Shoots Eyewear for Hugo Boss • Ice, mist and darkness. Óscar Calleja's campaign for Hugo Boss eyewear is built on a single, uncompromising set: frosted glass blocks emerging from smoke against a near-black background. The frames rest on these structures as if preserved in them. The light is cold and precise, giving each pair a mineral authority that feels entirely in step with the Boss aesthetic. No distraction, no colour. Just form, clarity and the kind of restraint that takes real confidence to pull off.
Perfume is, by nature, invisible. SFX artist Pauline Choffé, working with the photographer duo Antinomia, sets out to change that. For the Replica fragrance line, each olfactive note becomes a tangible thing. Vanilla pods, caramelised sugar, orange peel, ylang ylang, lily of the valley. Arranged on white with quiet generosity, they appeal to every sense at once. The approach feels deeply Margiela. Transparent, unadorned, trusting the ingredients entirely. No seduction, just presence. These images make you feel like you can almost smell the fragrance. A second series, shot on black, is coming.
Soft pinks. Geometric gold. The iconic Prada triangle, reborn in compact form. Simon Escourbiac shoots the Prada Color campaign with the precision and restraint the Maison demands. Against pale, textile-inspired backgrounds, lipsticks, compacts and lip glosses are composed as fashion objects — because that is precisely what they are. Simon's still life work captures exactly that: objects that carry the full weight of a house.
Peach, peony, coral light. Christophe Jager immerses the Lancôme Idôle fragrance in a world of ripe textures and saturated warmth, where fruit and flower collide in full bloom. Sensory, generous, unapologetically alive.
Henrik Bülow creates a world apart for the Aesop fragrance campaign. Silhouettes in double exposure, bodies dissolving into landscape, products absorbed into atmosphere. Colour, grain, light used as emotional states rather than technical choices. A campaign that exists somewhere between photography and painting. Completed by a film.
A series of layered faces, fragmented eyes, bodies dissolved into texture and pattern. Henrik Bülow constructs images that feel assembled rather than shot, where collage logic and photographic precision meet in the same frame. Unsettling, precise and quietly surreal.
Alessandro Sorci approaches the Vespa the way a sculptor studies a finished form. The scale shifts constantly. Tiny scooters orbit a giant wheel. A helmet becomes a monument. Details of chrome and bodywork fill the frame like abstract architecture. Sorci finds new geometries in an object that has barely changed in seventy years, and that is precisely the point. The Vespa has been a design icon since 1946. What Sorci understands is that timelessness is not about standing still. Shot against pale, minimal backgrounds, his images give one of the world's most recognisable silhouettes the visual language of contemporary photography. Ancient and absolutely current.
Four images, four registers. Henrik Bülow shoots for The Times moving between grain and softness, monochrome and pale colour, shadow and mist. Figures caught between presence and disappearance. Contained, considered, quietly cinematic.
Fernando Gomez shoots the Cartier Panthère collection for Mojeh Magazine against raw stone and marble, the jewellery placed as if found rather than arranged. Gold, onyx, rough texture, each piece given the weight it deserves. Understated, considered and quietly powerful.
The Art of the Bodegón • For El País Semanal, Óscar Calleja returns to one of the oldest genres in Western painting and makes it entirely his own. Each image is built inside the same stone niche, a shallow alcove that functions like a stage, or a shrine. What changes is what fills it. A quince suspended in mid-air. A designer bag beside a clay jug. Vegetables, candles, ceramic vessels. The combinations feel considered but never forced, oscillating between the domestic and the surreal. The reference to Spanish Golden Age painting is clear.
Everything in this film moves. A single drop falls, ripples expand, ink blooms in water, petals dissolve at the edges. For the launch film of Kenzo Flower Indigo, SFX artist Pauline Choffé builds a world that is entirely liquid, entirely blue. The fragrance notes are there if you look for them. Iris unfurling in slow motion. Vanilla pod catching light against an electric sky. But the film never pauses to explain itself. It simply pulls you in, deeper and deeper, until the bottle appears like something that has always lived underwater. Sensory, immersive and completely unhurried. A film you watch more than once.
Light diffused through mountain air. A flower that survives where nothing should. Simon Escourbiac shoots the Re-Nutriv Ultimate Lift Regenerating Youth Eye Crème campaign around the Precious Gentian, the rare survivalist flower at the heart of the formula. Luminous petals catch gold, crystal droplets rest on translucent surfaces, the ingredient elevated to icon. The set constructs a world where science and nature are indistinguishable. Skin is strengthened. The flower endures.
Fernando Gomez shoots Maison Crivelli's Saffron Secret in a world of smoke, earth and dim light. The bottles emerge from amber haze and dark matter, saffron flower surfacing through mist. Raw, sensory, almost alchemical. Completed by a film.
Between Two Worlds: Oscar Calleja in Japan and Vietnam • When a photographer of Oscar's precision turns his lens on travel, the result is anything but a holiday album. These personal images from Japan and Vietnam carry the same quiet attentiveness that defines his commercial work, but with something looser underneath. Mist over water. A circular stone window framing dense green. A single dish on a white plate. Red prayer tablets stacked in their hundreds. Calleja is drawn to stillness and repetition, to the places where ritual leaves a visible mark on the landscape. There is no tourism here, only looking.
Fernando Gomez shoots the Lancôme Dramaphoria collection with surgical precision. Deep reds, gold casing, pigment scattered like matter in motion. The lipstick as object of desire, observed up close, stripped of context. Bold, minimal and unapologetically red.
In this personal series, photographer Roberto Greco and SFX artist Pauline Choffé approach beauty products the way an artist approaches a found object. A mascara against a pale horizon. A lipstick submerged in violet water. A compact dismantled into geometric abstraction. An Aesop bottle under a cascade of silver. The brands are recognisable but incidental. What drives each image is texture, colour and the pleasure of looking at things very closely. Choffé's surfaces, whether liquid, mineral or molten gold, give Greco's compositions their charge. A series that sits comfortably between beauty photography and something more personal. Which is exactly where the best work tends to live.
Skin is the real subject. Henrik Bülow shoots for Courreges in deep shadow, fabric lifted, twisted, pulled away until what remains is bare and deliberate. Gold, red, the brand mark pressed against skin as if it belonged there from the start. The garment leaves. The identity stays.
Henrik Bülow brings his signature visual language to the pages of Kinfolk. Between black and white portraiture and warm colour tones, layered compositions and intimate frames, the Danish photographer navigates between rigour and poetry, surface and soul. Figures in motion and stillness, bodies fragmented, multiplied, observed. Bülow moves through the series with the eye of someone equally at home in fashion and fine art, where a gesture holds as much weight as a composition. Images that feel both timeless and quietly contemporary.
Mascara wands fanned into geometric precision. The Prada triangle rendered in foundation. Skincare lines composed like architectural studies. Simon Escourbiac handles the still life and campaign signature work for this Prada Beauty chapter, where the focus shifts to technology. Skin, eyes, texture, performance. Each object is treated with the same formal rigour the Maison applies to its fashion and accessories, making the product not just visible, but inevitable. The result is a body of work where cosmetic science and luxury codes become one.
Henrik Bülow has made fragrance one of his most personal creative territories. Working free of brief or client, he constructs images that try to do what perfume does: evoke rather than show, suggest rather than describe. Femininity here is never literal. It lives in a face half-erased by light, a silhouette absorbed into another, a body that becomes landscape. He layers double exposures, pushes grain, lets shadow claim what clarity would reduce. The result is a visual world where identity floats, where the boundary between subject and atmosphere dissolves. It is less photography than translation, an attempt to give form to something that exists only in sensation.
Built for This: Óscar Calleja Shoots Salomon • Óscar Calleja brings his still life instincts to Salomon and the result is unexpectedly cinematic. These trail shoes were designed for mud, altitude and effort. Here they are treated like sculptures. Each angle is chosen to expose engineering rather than disguise it. Soles, lugs, lacing systems, heel counters. The gradient backgrounds shift from deep black to electric teal to burning amber, giving the shoes an almost cosmic presence. Performance and aesthetics have rarely looked this comfortable together.
Fernando Gomez shoots the Helena Rubinstein Prodigy Cell Glow campaign in a world of ice, gold and white light. Crystals, frozen flowers, luminous particles, the products suspended in a mineral universe that feels both scientific and dreamlike. Cold, precise and radiant.
Child's Play: Óscar Calleja Shoots Bottega Veneta for S Moda • For S Moda, Óscar Calleja places Bottega Veneta bags inside children's drawings. Crayon rainbows, cardboard houses, cut-out flowers. The intrecciato weave, one of fashion's most recognisable textures, sits beside felt-tip skies without a hint of irony. It works because Calleja commits to it entirely. The bags are not mocked or diminished. If anything, the naivety of the drawings makes the craft of the leather feel more remarkable by contrast. Luxury seen through a child's eye. Serious work made to look effortless.
Fernando Gomez shoots the Maison Crivelli Astral collection between earth and sky. Hibiscus against red, bottles under a twilight horizon, white tuberose held in open hands, deep blue night scattered with stars. Each image navigates between the botanical and the celestial. Grounded and otherworldly at once. Completed by a film.
Discover Thyrse’s latest “PHOTO + FILM + EVENT + SCENOGRAPHY” portfolio, a curated selection of images showcasing her unique creative vision. 📷 View and download directly below. For a custom edit or theme-based portfolio, please email laetitia@aecreative.paris
A poetic exploration where fire meets frost. Between the ephemeral beauty of flowers, the sharp elegance of flames, and the delicate textures of frozen petals, Jean-Baptiste Degez, with SFX by Pauline Choffe and floral styling by Thyrse, captures a suspended moment of transformation through photography and video. This personal project reveals nature’s dual essence, fragile yet fierce, fleeting yet eternal, and intertwines it with the sensual world of fragrance. Discover the full series of photos and videos in the carousel below. (AI on videos by Felix Maillet)
For the Lierac Premium campaign, SFX artist Pauline Choffé takes us inside the formula. Cells seen under magnification, botanical extracts caught in motion, golden textures that read as both organic matter and precious material. The microscopic and the luxurious occupy the same frame, and the tension between the two is exactly the point. Director Wilfried Martin structures the film around this duality. Science on one side, sensoriality on the other. White sandalwood petals beside Petri dishes. Baobab RNA filmed like something alive. The Lierac Premium range, serum, mask, eye cream, emerges from this golden world as its natural conclusion. Ten years of research, five patents. Choffé makes that rigour visible without making it cold.
Our SFX artist Pauline Choffé created the special effects for Louis Vuitton’s latest beauty film. Her mastery of material and motion brought the products to life through refined textures and light effects, blending science and artistry to enhance the cinematic identity of the Maison. This collaboration highlights her signature approach, where experimentation and precision meet luxury and innovation. Director : Damien Krisl
For Cartier’s Trinity campaign, SFX artist Pauline Choffé created refined material effects that bring the collection’s symbolic forms to life. Playing with textures, reflections, and movement, she designed poetic environments where water, sand, and light subtly echo the timeless harmony of the three rings. Her craftsmanship highlights Cartier’s heritage of elegance through a meticulous fusion of technique and emotion. Agency : Publicis
Water ripples. A driftwood fragment pierces the surface. The iconic bottle emerges from its element, refracted, suspended, weightless. For the launch of L'Eau d'Issey Pour Homme Eau de Parfum, the new refillable fragrance, Pauline Choffe brings her SFX expertise to the product sequences, building a world of fluid textures and aquatic materiality around the flacon. Glass and water become one.
Symphonie, the latest film by the duo L’EAU À LA BOUCHE, unfolds as a visual score where each frame carries a soft, almost musical tension.The film builds a dreamlike yet intimate atmosphere, inviting the viewer to surrender to the emotion of the gaze. An alchemy of artists L’EAU À LA BOUCHE Studio was born in late 2022 from the encounter between photographer Lucian Bor and editor-director Erwan Lozachmeur. By merging their worlds, they combine visual finesse with narrative precision, an alchemy shaped by over twenty years of experience working for renowned brands and magazines such as British Vogue, Vogue Italia, Swarovski, Lancel, Air France, Aubade, L’Oréal, Dior, and Bompard. What stands out in Symphonie is its elegant simplicity. A pattern, a gesture, a whispered light - everything becomes expression. The editing is precise, never excessive, letting restraint carry the emotion. Their cinema does not shout. It suggests, murmurs, and questions.
Simon Escourbiac created the product and still life shots for Givenchy’s L’Interdit Mascara film and the shoot. His precise and cinematic approach enhances the sculptural beauty of the object through sharp contrasts, reflections, and textures. The result is a bold visual universe where black lacquer, fire, and light interplay to express the power and intensity of Givenchy’s icon. Agency : BETC
For Helena Rubinstein’s Replasty campaign, Simon Escourbiac crafted a refined visual universe combining scientific precision and tactile beauty. Through meticulous control of textures, reflections, and light, his compositions evoke the meeting point between dermatological expertise and luxury skincare. Each image expresses balance, purity, and sophistication, where the material itself becomes the narrative.
For La Roche-Posay’s Hyalu B5 skincare campaign, Simon Escourbiac captured the freshness and precision of dermatological beauty through pure light and texture. His imagery reveals the sensorial power of the formula — transparency, hydration, and clarity — in perfect harmony with the brand’s scientific and minimal aesthetic. Between portrait and still life, each visual embodies the essence of clean beauty and confidence in the skin. Agency : Dowtown
Floral by Thyrse Film by Thomas Legrand
For the KENZO window displays, Cloé Vriet designed and handcrafted monumental paper poppies, fully shaped by hand. Their bold, vibrant colors combined with a rhythmic, graphic structure create a striking visual presence. This large-scale work, closer to architectural construction than delicate detailing, reveals another facet of the artist’s universe, where the power and monumentality of paper take center stage. Event followed by PR event with a handcrafted work on small paper poppies.
Creation of an immersive kelp-inspired room made of iridescent paper for the Spa area of La Mer’s pop-up store. The installation reinterprets the textures of the brand’s signature creams through layers of sculpted white paper. Echoing the ocean’s vitality, this poetic forest of paper algae invites visitors to dive into the sensorial universe of La Mer - a space where light, reflection, and sound recreate the soothing rhythm of the sea.
Ephemeral scenography designed for the pop-up bookstore at Louis Vuitton’s Saint-Germain flagship, created to celebrate the release of L’Audacieux — a book marking the 200th anniversary of the founder’s birth. In collaboration with Atelier LUM, Cloé Vriet designed and produced an immersive installation transforming the store into a monumental, poetic, and minimalist library. The space, entirely composed of white books with embossed edges, evokes the quiet elegance of paper and the precision of handcrafted work. Bright orange niches contrast with the monochrome walls, drawing the eye to the iconic book written by Caroline Bongrand. An enveloping audio experience invites visitors to listen to excerpts from the book inside a cocoon-like capsule, blending intimacy with refined luxury. A tribute to craftsmanship, literature, and the bold creative spirit of the Maison Louis Vuitton.
Fernando Gomez shoots for Grazia in landscapes that feel painted rather than found. Amber skies, misty fields, burnt orange horizons, fashion and setting given equal weight, each look chosen as deliberately as the light it sits in. Accessories placed as if they grew there. Cinematic, warm and deeply considered.
Discover Simon Escourbiac’s latest “Photo + Film” portfolio, a curated selection of images showcasing his unique creative vision. 📷 View and download directly below. For a custom edit or theme-based portfolio, please email laetitia@aecreative.paris
Discover Pauline Choffe’s latest “Photo + Film” portfolio, a curated selection of images showcasing her unique creative vision. 📷 View and download directly below. For a custom edit or theme-based portfolio, please email laetitia@aecreative.paris
Discover Oscar Calleja’s latest “Photo" portfolio, a curated selection of images showcasing his unique creative vision. 📷 View and download directly below. For a custom edit or theme-based portfolio, please email laetitia@aecreative.paris
Discover Lucian Bor’s latest “Photo + Film” portfolio, a curated selection of images showcasing his unique creative vision. 📷 View and download directly below. For a custom edit or theme-based portfolio, please email laetitia@aecreative.paris
Discover Kevin Larreguy’s latest Photo portfolio, a curated selection of images showcasing his unique creative vision. 📷 View and download directly below. For a custom edit or theme-based portfolio, please email laetitia@aecreative.paris
Discover Karina Twiss’s latest “Photo” portfolio, a curated selection of images showcasing her unique creative vision. 📷 View and download directly below. For a custom edit or theme-based portfolio, please email laetitia@aecreative.paris
Discover Jean-Baptiste Degez’s latest “Photo + Film” portfolio, a curated selection of images showcasing his unique creative vision. 📷 View and download directly below. For a custom edit or theme-based portfolio, please email laetitia@aecreative.paris
Discover Ilias Walchshofer’s latest “Photo + Film” portfolio, a curated selection of images showcasing his unique creative vision. 📷 View and download directly below. For a custom edit or theme-based portfolio, please email laetitia@aecreative.paris
Discover Henrik Bülow’s latest “Photo + Film” portfolio, a curated selection of images showcasing his unique creative vision. 📷 View and download directly below. For a custom edit or theme-based portfolio, please email laetitia@aecreative.paris
Discover Cloé Vriet’s latest “Photo + Scenography + Paper Edition” portfolio, a curated selection of images showcasing her unique creative vision. 📷 View and download directly below. For a custom edit or theme-based portfolio, please email laetitia@aecreative.paris
Discover Fernando Gomez’s latest “Photo + Film” portfolio, a curated selection of images showcasing his unique creative vision. 📷 View and download directly below. For a custom edit or theme-based portfolio, please email laetitia@aecreative.paris
Discover Christophe Jager’s latest “Photo + Film” portfolio, a curated selection of images showcasing his unique creative vision. 📷 View and download directly below. For a custom edit or theme-based portfolio, please email laetitia@aecreative.paris
Discover Aurélien Chauvaud’s latest “Photo + Film” portfolio, a curated selection of images showcasing his unique creative vision. 📷 View and download directly below. For a custom edit or theme-based portfolio, please email laetitia@aecreative.paris
Discover Alizée Patton’s latest “Photo + Film” portfolio, a curated selection of images showcasing her unique creative vision. 📷 View and download directly below. For a custom edit or theme-based portfolio, please email laetitia@aecreative.paris
Discover Alessandro Sorci’s latest “Photo + Film” portfolio, a curated selection of images showcasing his unique creative vision. 📷 View and download directly below. For a custom edit or theme-based portfolio, please email laetitia@aecreative.paris
Golden droplets, translucent spheres, cactus in raw light. Christophe Jager captures the Pure Shots collection in a world where the active ingredient becomes the image, suspended between the organic and the scientific. Precise, luminous, alive.
Red, deep red, burning red. Christophe Jager shoots the Or Rouge campaign in a world of pure intensity, where texture becomes image and colour becomes matter. Liquid spheres, organic forms, crimson light — the collection's power translated into something visceral and alive. Science as beauty, beauty as obsession.
Photography and direction by Christophe Jager, with SFX by Pauline Choffé. A luminous still-life campaign revealing the sculptural beauty of Lancaster’s Golden Lift line. Light and texture intertwine in a golden choreography of precision and elegance.
Model Roos Abels for Madame Figaro France, September 2025 Special Accessories issue.
Lingerie, accessories and jewelry in perfect harmony. A refined interplay of textures and gestures captured in timeless tones, where sensuality meets simplicity. Each frame reveals the quiet confidence of femininity - intimate, modern, and effortlessly elegant.
For Lancaster’s Princière skincare range, Simon Escourbiac directed both the film and photography, translating the brand’s refined identity into a visual symphony of light and matter. Through precise compositions and subtle textures, his work reveals the tactile beauty of the formulas and the architectural design of the objects. Between gold reflections and creamy surfaces, every image captures a perfect balance of science, luxury, and emotion. (Agency : Coty)
For Chanel Sublimage's makeup line, photographer Simone Cavadini and SFX artist Pauline Choffé reduce the world to spheres and darkness. Amber, sand, ivory. The shades of the foundation range become planetary forms, luminous against black. The bottles emerge from this abstract landscape with the authority of objects that need no introduction. The result is both product photography and something closer to painting.
For Infiniment Coty Paris, our film director Jean-Baptiste Degez and our SFX artist Pauline Choffé joined forces with floral designer Garance du Nord to create a series of films celebrating the poetic power of each fragrance of INFINIMENT COTY. Over three weeks of filming, they explored the 14 universes of Infiniment Coty Paris, each inspired by an original fragrance imagined by Sue Nabi and Nicolas Vu. Every perfume became a story, every shot a metaphor - water, petals, pigments and textures were sculpted and filmed like living matter. This artistic team between image, substance and scent brought to life Coty’s vision of a renewed perfumery, one that embraces both innovation and emotion. Through their collaboration with COTY, Jean-Baptiste, Pauline and Garance translated invisible notes into tangible sensations, revealing the intimate connection between fragrance, art and movement. (Agency : COTY)
Through Jean-Baptiste Degez’s lens, matter turns into sculpture. Golden, fluid light flows around each curve, revealing the essence of skincare. For Estée Lauder, abstraction and precision merge to transform texture into movement and transparency into visual emotion. Each image embodies timeless luxury - purity and mastery in perfect balance. (Craetive Direction : Wilfried Martin / Production: Tristan Godefroy)
For Hennessy XXO, Jean-Baptiste Degez crafts a visual statement that unites precision and poetry. Shot in Iceland, both the film and stills draw their strength from elemental contrasts - water, stone, air, and light. The bottle rises like a monument between land and sea, embodying the timeless power of nature. Through this encounter between craftsmanship and landscape, the campaign captures the spirit of balance and intensity at the heart of Hennessy. (Agency : DDB / Production : 75.TV)
In this personal animation series inspired by Celine, Ilias Walchshofer translates the brand’s timeless elegance into a world of movement and illustration. Playing with textures, brushstrokes and rhythm, he reinterprets the codes of luxury through his own visual language, blending craft and digital finesse. These animations are not campaigns but explorations - moments of pure creative dialogue where fashion meets imagination.Each reflects Ilias’s signature sensitivity, where lines breathe, fabrics unfold and light becomes motion. Through this experimental work, he continues to expand the boundaries of illustration, transforming still imagery into cinematic expression. Concept, illustration and animation: Ilias Walchshofer Inspired by: Celine
For Numéro Art Magazine, illustrator and visual artist Ilias Walchshofer revisits the iconic Lady Dior through a series of AI-enhanced illustrations celebrating ten years of dialogue between fashion and contemporary art. His compositions reinterpret the famous bag as a sculptural object, placing it within imaginary museum spaces where art history meets digital fantasy. Between realism and abstraction, Ilias builds a bridge between craftsmanship and innovation, tradition and reinvention. Each piece pays homage to Dior’s creative heritage and to the visionary artists who have shaped the project, from Marc Quinn and Eva Jospin to Lee Ufan. The result is a visual symphony that celebrates texture, symbolism and timeless elegance. Editorial: Numéro Art Magazine Text: Maïlys Celeux-Lanval Illustrations: Ilias Walchshofer
For Numéro Art Magazine, illustrator and visual artist Ilias Walchshofer explores the complex relationship between contemporary artists and fashion. Through a series of AI-assisted illustrations and animations, he imagines how clothing, attitude and silhouette reflect artistic identity. Each look becomes a psychological portrait, a visual archetype that blurs the line between style and self-expression. Using a mix of digital drawing and compositional photography, Ilias transforms garments from major fashion houses into living characters that echo the personality of today’s creators. His visual language, both minimal and poetic, celebrates individuality and questions how image and appearance shape the perception of art and the artist. Editorial: Numéro Art Magazine Text: Alice Pfeiffer Illustrations and animations: Ilias Walchshofer
For AD Magazine, Henrik Bülow transforms high jewelry into objects of mystery and emotion. His still lifes, inspired by classical painting, combine shadow, matter and light to reveal the quiet power of craftsmanship. Each image is both a portrait and a story, where precious stones seem to breathe within timeless compositions. Far from the codes of traditional luxury, Bülow creates visual poems that speak of texture, heritage and human touch. The result is intimate and hypnotic, where the brilliance of jewels meets the depth of silence. (AD & Stylist : Sarah de Beaumont)
For Ole Lynggaard Copenhagen, Henrik Bülow captures a luminous and sensual vision of modern femininity. His images, sculpted by light, reveal a dialogue between strength and softness, confidence and grace. Shot with model Hana Jirickova, the campaign balances intimacy and sophistication. Each gesture, each shadow, each reflection becomes part of a quiet choreography where the jewelry feels alive, as if it were an extension of the body. The result is timeless and deeply human. Bülow’s photography transforms high jewelry into emotion, blurring the line between portrait and reverie. Client: Ole Lynggaard Copenhagen Creative Director: Charlotte Lynggaard Photographer: Henrik Bülow Model: Hana Jirickova Stylist: Cecilie Thorsmark Larsson Hair: Trine Skjøth Makeup: Mette Thorsgaard Production: WeTouch Imagework Retouching: The Lab CPH Agent: Laetitia de Tugny @ Crætive Paris
For Templier, Henrik Bülow captures the sculptural purity of Raymond Templier’s modernist jewelry. His photographs reveal the radical simplicity and architectural tension of these pieces, icons of movement and light. The series celebrates precision, shadow and skin as equal protagonists. Between softness and structure, Bülow transforms jewelry into living forms, timeless and human. The imagery evokes both cinema and sculpture, honoring the spirit of innovation that defined Templier’s design philosophy. (Agency : Cake Design)
For Piaget, Fernando Gomez directed the photographic and film campaign for the Solstice High Jewelry Collection, a luminous celebration of light, sensuality and craftsmanship. Shot in Paris & Switzerland, the campaign follows the rhythm of the day turning into night. Each chapter explores a new emotion: golden warmth before dusk, magnetic blue at nightfall, and deep serenity as day returns. The images, refined yet vibrant, reveal a poetic balance between radiance and shadow, capturing the magnetic glow of precious stones against sculptural light. Fernando Gomez’s photography brings modernity and intensity to Piaget’s heritage, uniting movement, color and material in a cinematic vision of beauty. (Agency: Mazarine)
For its new season campaign, the Philharmonie de Paris and BETC Paris acquired a selection of Fernando Gomez’s floral photographs, renowned for their mastery of light, texture and color. These images, originally created as fine art works, were reinterpreted by the agency into surreal musical instruments - where petals become strings and stems transform into resonating bodies. By blending photography and graphic design, the campaign celebrates the meeting of art and sound, nature and rhythm. Gomez’s work, already exhibited in major galleries, brings depth, sophistication and emotion to this visual symphony. Photography: Fernando Gomez Campaign: Philharmonie de Paris Agency: BETC Paris
Domitille Basso's collection Materia merges her eight years at Saint Laurent as a textile designer with her floral design practice. Real flowers are embroidered onto found fabrics and garments, transforming botanical elements into living materials rather than printed motifs. Following upcycling principles, she revitalizes second-hand pieces with flowers, leaves, and seashells. Her vitalist approach combines radical experimentation with ecological awareness - colours, textures, and forms return to their organic state in an infinite chain of metamorphoses. Photographer Eleonore Wismes captures this fusion of couture and botany for Blaumenhaus magazine, revealing the raw beauty of Domitille Basso's textile and floral universe.
Composing Chaos For the Balenciaga dinner following the FW24/25 show, Thyrse imagined a floral installation both sophisticated and disordered: a 30-meter table, staged as the elegant aftermath of a long night. On a pristine white tablecloth, precision gave way to a controlled collapse: overturned silverware, fallen glasses, stacked plates sliding toward the floor, as if frozen in motion. Following the client’s brief, the floral selection combined dark, tinted blooms with vivid highlights including birds of paradise, yellow chrysanthemums, black callas, ruscus, and dyed amaranths. A visual language where botany meets couture, and every stem captures the lingering energy of a dinner that refuses to end. Production: WE ARE ONA • March 2024 • Palais de Tokyo, Paris
In her new collection Materia, Domitille Basso crosses her floral design practice with her stylist background. After eight years at Saint Laurent as a textile and embellishment designer, her heightened sensitivity to materials, colours, and textures now finds expression in the botanical world through floral compositions, arrangements and staging. Materia thus marks a pivotal moment in the evolution of her practice, where her two worlds and areas of expertise merge. She embroiders real flowers onto found fabric samples before creating garments that overflow with life. Flowers are no longer a printed image or drawn and manufactured motifs, as is often the case in fashion, but rather the material and presence themselves. The image comes alive. Domitille Basso’s approach is marked by a vitalist approach, radical experimentation, and ecological awareness. She follows upcycling principles, using second-hand garments and fabric remnants as her base before revitalizing them with flowers, leaves, and seashells. She observes the world around us, and finds forms, materials, and colours in their raw state. Domitille Basso concludes her series with a final cycle: a series of photographs conceived as paintings, uniting the various outfits in more contrasting and startling associations. Again, colours and textures blend, returning to their organic state. In a continuous flow, Domitille Basso explores the infinite possibilities of combination: one form generates another, which in turn suggests a new one—in a living chain of metamorphoses. Her work, driven by a sensitivity that is almost Pythagorean, allows a continuous movement in which each transformation already contains the next, and matter itself sparks the imagination. Thank you @mothernatureslave for her precious hands & @oonadoyle for her words
Kevin Larreguy captures actress Lola Le Lann for Marine Serre, blending fashion and attitude with a quiet sense of rebellion. The series reflects Serre’s evolving dialogue between sensuality and structure - a statement of identity where fabric becomes armor and movement becomes self-expression.
For Kevin Larreguy, an image is above all a tactile experience. Skin, flowers, minerals, and raw materials seem within reach, almost touchable. Transparency, shine, and texture density turn every detail into a visual sensation. The colors, especially deep ocean blues, and the often circular forms immerse the viewer in a sensory world that feels both intense and delicate.
For this editorial project, Kevin Larreguy joins forces with illustrator Ilias Walchshofer to merge photography and drawing into a single visual language. Each portrait was first imagined in its pure photographic form before welcoming illustration as a second layer of meaning. Together, they create a dialogue where image and line intertwine, transforming vision into fragrance and emotion into texture.
Oscar Calleja recontextualizes luxury jewelry through the lens of the everyday for Storia. Precious metals meet crushed aluminum, gold chains embrace melting ice cream, and diamonds rest in egg cartons - creating a tension between value and banality. The series dismantles the traditional jewelry narrative of aspiration and exclusivity. By placing fine pieces within mundane contexts, Calleja questions our automatic associations between precious objects and precious moments. A vintage radio becomes as worthy a display as a velvet box, suggesting that luxury exists not in the object but in the story we assign to it.
Oscar Calleja transforms Summer Fridays into a playground of textures and unexpected pairings. Beauty products mingle with tropical fruits, beach essentials, and everyday objects - creating a visual vocabulary where skincare feels less like discipline and more like vacation. The campaign captures the brand's DNA: that Friday feeling bottled. Through playful compositions and sun-soaked palettes, Calleja suggests beauty routines can be as spontaneous as a beach day, as satisfying as biting into fresh fruit. Products become props in summer stories rather than steps in regimens.
Oscar Calleja reimagines skincare codes for H/Sable Labs. Between casual daily life and sophisticated staging, the series transforms skincare products into contemporary objects of desire. The approach mixes worlds - streetwear and gastronomy, minimalism and fantasy - repositioning skincare as a lifestyle element rather than mere beauty routine.
Oscar Calleja transforms Monday Muse's "The Cocktail" cream into visual mixology. The tubes become protagonists in compositions where skincare meets cocktail artistry - resting on frosted margarita glasses, plunged into sparkling water, dripping with golden honey. The series plays with textures and states of matter, evoking both the sensory pleasure of skincare and cocktail tasting. An approach that reinvents beauty codes by drawing from the festive and indulgent world of cocktail culture. (Art direction, Set design by Oscar Calleja)
Oscar Calleja transforms Massimo Dutti fragrances into elements of daily life for "Les Matières" collection. The bottles rest on colored soap blocks or integrate into compositions evoking the world of self-care and bathroom rituals. Between glass shelves and grooming objects, the series celebrates perfume as an integral part of our intimate routines. An approach that demystifies luxury to anchor it in the tactile and sensory reality of self-care.
Oscar Calleja captures the playful spirit of Furla's "Come Play With Us" campaign. The signature clasp pouches form a kaleidoscope of colors - from emerald green to burgundy via metallic pink - like an invitation to chromatic play. The photographer transforms each bag into a visual playground. Hands with multicolored nails, liquid leathers on monochrome backgrounds, textures that dialogue with light. The approach is joyful and sophisticated, celebrating the Italian accessory as an object of daily pleasure. (Production by Craetive Paris)
Oscar Calleja explores the intimacy of the modern locker room in his "Lockers" series for El País Magazine. Lockers become contemporary still lifes where the essentials of a life in motion accumulate. Each composition tells a personal story. Between luxury and sport, vintage and current trends, objects reveal the multiple facets of their owners. Calleja transforms these temporary storage spaces into faceless portraits - python and leather, pastels and neons, minimalism and maximalism cohabit in these urban microcosms.
Oscar Calleja transforms Chantelle X lingerie into subjects of visual experimentation in his "Test Bench" series for Common Language Magazine. The concept: an imaginary laboratory where pieces undergo analysis - airbrush gun, digital microscope, surveillance cameras, measuring cables. Metallic sets, graphic laces and structured bodysuits become specimens under observation. Calleja builds a universe between technical workshop and art gallery - lingerie suspended in hermetic bags, lit from below, examined from every angle. An approach that celebrates textile innovation and the engineering behind each Chantelle X creation.
For the new Rouvenat high jewelry campaign, Lucian Bor brings his singular visual language to the Maison. True to his practice of projection, he sculpts the jewels with light and shadow, creating a graphic interplay where matter becomes almost immaterial. His gaze, both technical and poetic, reveals the Rouvenat pieces from a new perspective - between abstraction and precision, modernity and heritage.
His compositions always navigate between two poles: rigor and emotion, structure and accident, order and disorder. This tension fuels his aesthetic, creating images that both intrigue and captivate - because they exist in a state of unstable balance, precisely where beauty comes alive.
No unnecessary decor, no excess. Lucian Bor refines, narrows, concentrates. His images stand out through their economy of means: a simple background, controlled light, and a confident subject.
In Lucian Bor’s work, beauty is never frozen or polished. It embraces its roughness, shadows, and intensities. His images do not seek perfection but a sensitive truth, where every detail - a marked eyelid, a grain of skin, a raw light - becomes a visual strength.
Women are central to Karina Twiss’s practice. Her portraits balance sensitivity and confidence, often capturing quiet emotion and presence. Influenced by her Norwegian upbringing and connection to nature, her work reflects a sense of space and calm. Whether in a composed pose or a fleeting gesture, her images convey subtle emotion with clarity.
Contacted two months before the group exhibition “Summer Snake”, Cloé Vriet created two artworks titled “ÉCORCHÉ.ES” (green), both sold on the evening of the opening to a private collector. Words from Cloé : "I explore through paper, ink and volume a form of organic abstraction shaped by incisions I call “écorchures.” These delicate wounds let the light in, sculpting the surface and revealing a movement inspired by the body and its silences. Each piece is born from a fragile balance between the impulse of the gesture and the patience of time. Through this work, I question vulnerability, resilience and metamorphosis."
Silver holds an essential place in Christophe Jager’s photographic research. A metal of reflections and shimmering light, it allows him to work with subtle contrasts and almost liquid nuances. Silver acts as a surface of projection - sometimes a mirror, sometimes a screen - capturing and reflecting light in a play of ambiguities. This treatment turns it into an element that is both modern and timeless, where the supposed coldness of metal is infused with poetry. In his images, silver becomes a fluid and mysterious material, carrying a silent yet powerful visual intensity.
In Christophe Jager’s universe, gold is treated as a living, multifaceted material. His photographs explore its shifting reflections, capable of moving from dazzling intensity to enveloping softness. Gold is never static - it circulates, diffracts, and comes alive in contact with light. This approach reflects a fascination with the color’s ability to symbolize both richness and energy, the sacred and the sensual.
In his product photography, Christophe Jager develops a visual language based on simplicity and precision. His carefully controlled compositions reject any excess to better highlight the object. Each pack thus becomes an architecture of lines, angles, and volumes, illuminated by a perfectly measured light that emphasizes its uniqueness. This minimalism is not an absence but a strength: it focuses attention and gives the object an almost symbolic aura. The viewer is invited to contemplate the intrinsic beauty of a purified form, free from any narrative artifice.
In Christophe Jager’s work, flowers appear as fragments of nature captured in a suspended moment. Their fragility combines with a formal strength that transforms them into visual icons. Photographed with almost surgical precision, they reveal details often imperceptible to the naked eye - veins, transparencies, micro-reliefs. Far from being a simple aesthetic exercise, this approach expresses a desire to give nature a sculptural and timeless dimension. The flowers thus become entities in their own right, oscillating between poetic fragility and silent monumentality.
A deep red, an affirmed intensity, an enduring elegance. This campaign showcases the heritage and iconic strength of Hennessy V.S.O.P through a visual approach that plays on material density and the power of contrasts. A work that conveys the warmth, nobility, and modernity of the Maison.
A solar and sculptural vision of masculine elegance. This campaign highlights the purity of lines and the iconic strength of Hugo Boss bottles, balancing minimalism with luminous intensity. The object becomes a symbol of timeless style, combining freshness, modernity, and power.
Between reflections and metamorphoses, this personal series explores how light and mirrored surfaces transform the object into a new visual experience. Mirror play integrates organic elements - flowers, stems, living matter - that reflect, deform into anamorphoses, and extend across the packaging. Volumes thus become magical surfaces, where the object engages in dialogue with its environment and draws from its natural resonances. A work that questions beauty in its sculptural and sensory dimension. (Art Direction: Pauli Walsh)
A fragrance, a sensation, a story of light and fluidity. This personal project captures the Mediterranean freshness and vibrant radiance of Neroli Portofino through an artistic approach where image becomes a sensory experience. Between visual intensity, the sensual energy of aquatic movements, and poetry, the film stages a dialogue between nature and sophistication, substance and emotion. (Film director : Alizée Patton / Art Direction: Caroline Pauleau / DOP & SFX: Lema Isback)
Milanese photographer Alessandro Sorci explores the dialogue between object, matter, and light. Through a refined and architectural approach, his images elevate everyday objects—eyewear, accessories, timepieces—into sculptural forms. Each frame reveals a balance between precision and poetry, between mechanical structure and organic movement. After studying photography at the University of the Arts in London, Alessandro developed a singular language where minimalism meets experimentation. Working across still life and motion, he translates materiality into rhythm, geometry, and reflection. His visual world draws from design and industry, yet always carries a human sensibility: light becomes emotion, metal becomes fluid, glass becomes skin. Dividing his time between Paris and Milan, Alessandro also teaches at IED Milano, where he leads the “Creative Studio” course, mentoring the next generation of photographers. His work redefines product imagery as a form of contemporary art - one that captures beauty not through perfection, but through perception. Collaborations include Oakley, Akoni, Slam Jam, Pagani, Pirelli World, Bucherer, Urwerk, Numéro Netherlands, VO+ Jewelry, Wallpaper, GQ Italia, ICON Design, Elle Italia, D La Repubblica…
Alessandro Sorci delivers a personal and contemporary interpretation of the iconic Chanel N°5 L'Eau bottle. Through these two shots, the photographer plays with liquid textures and metallic reflections, creating a dialogue between fluidity and structure. Chrome spheres in weightlessness, organic curves, monochrome treatment - Alessandro explores creative possibilities around a cult object, without seeking to imitate advertising codes but rather proposing his own artistic vision. Photography: Alessandro Sorci Postprod: Command Services @cmnd.services Set Design: Poised Studio @poised.studio
Alessandro Sorci explores accessories as sculpture for Numéro Netherlands. Sandals, heels, sunglasses and bags stand out against gradient backgrounds, transformed into contemporary art objects through his precise eye. Each piece is isolated, suspended between shadow and light. An approach that elevates accessories to the status of artwork, between classic still life and futuristic vision. Photography: Alessandro Sorci for Numéro Netherlands Style Gabriele Berretti @gabriele_berretti Post Studio Wolfram @studiowolfram
Alessandro Sorci signs the campaign for the new Oakley Flex Scape, transforming sports eyewear into futuristic fashion objects. "Half goggles, half glasses. Full Oakley" speaks to a generation that no longer separates performance and lifestyle. Against a deep blue backdrop, models wear the Flex Scape with an attitude that transcends sport. Photography: Alessandro Sorci for Oakley Art Direction: Tommaso Garner Post Production: Studio Wolfram @studiowolfram, Production: True Color Films Talent: @easytigerz @yelibetilahun
Alessandro Sorci captures the essence of the Pagani Utopia in this series created for Pirelli World Magazine. The photographer elevates Horacio Pagani's latest creation through meticulous attention to detail - from the sculpted fuel cap to the golden wheels, through to the Mercedes-AMG signed V12 engine. The matte silver bodywork becomes a canvas reflecting Pagani's characteristic organic curves. Each element tells the story of the Italian brand's artisanal obsession: the four central exhaust outlets, circular taillights, fluid lines inspired by aeronautics. This collaboration between Pagani and Pirelli, immortalized by Alessandro, celebrates Italian excellence where engineering and art become one. Photography: Alessandro Sorci for Pirelli World Magazine Art Direction: Elena Papageorghiou @elenapapa_s Post: RGBERLIN @rgberlin Light: Riccardo Ruffolo, Filippo Telaro
Alessandro Sorci reveals the mechanical complexity of the Urwerk UR-150 Scorpion for the latest issue of BIC Collection, in collaboration with Bucherer. The photographer explores watches as engineering artworks, capturing visible movements, textured dials and sculpted cases in dramatic light. Each image celebrates Swiss haute horlogerie - from visible complications to artisanal finishes. Gradient backgrounds and geometric structures create a contemporary setting for these exceptional pieces, transforming watch photography into artistic exploration. Photography: Alessandro Sorci for BIC Collection x Bucherer Creative Direction: Ric Ferrol Design: Poised Studio Post-production: Milk Post Production
For the fourth consecutive season, Alessandro Sorci shoots the AKONI campaign. The photographer captures the essence of the brand through a refined and sophisticated visual approach, where eyewear becomes true design objects. Between deep shadows and metallic reflections, the frames reveal themselves in their finest details - sculpted hinges, architectural lines, gradient lenses. Alessandro transforms each model into a study of light and material, highlighting the craftsmanship that characterizes AKONI. A collaboration that endures and asserts itself, reflecting a shared vision between the photographer and the brand. Photography: Alessandro Sorci for AKONI Post: Milk Postproduction @milkpostproduction
Alessandro Sorci signs the cover and editorial for the latest issue of VO+ Jewelry Magazine. The photographer explores contemporary jewelry through minimalist settings where objects become sculptures. A refined vision of modern jewelry that favors subtlety over ostentation. Photography: Alessandro Sorci for VO+ Jewelry Magazine Set design: Valentina Micól Carnevali Post-production: Milk Post Production
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